("Girl Looks Back" Print by Elise Wehle, c/o Uncommon Goods) |
Today, I'm partnering with Uncommon Goods to bring you a special "Your Story" with one of their Uncommon Artists! Uncommon Goods is an online shop based out of Brooklyn, NY. They choose to do good by supporting artists and designers, sharing uncommon facts on their blog and giving a portion of each sale to non-profit organizations. The Wall Art section (browse by clicking here!) is full of beautiful prints by artists like my guest today, Elise Wehle. (See more art prints here!)
Elise Wehle is an artist with a beautifully fresh perspective. She's sharing about how her dreams took off after winning a contest, how 30 days of creating kept her on track, and why she feels it's important to step away from technology sometimes and work with her hands. Check it out and be inspired!
Elise, tell us a little about your story and what got you started as an
artist...
Weirdly enough, I never wanted
to be an artist when I was a kid. I actually wanted to be a zoologist or
veterinarian because I was obsessed with animals. To my embarrassment, I think I
owned over 300 stuffed animals. Along with that collection, I also had a
variety of sketchbooks where I either drew my favorite animals or created my
own. I drew in it constantly. I think my mom still has a drawing I did of a
floppy eared cat (you have to love supportive parents).
Sometime during middle school I
realized that I enjoyed drawing animals more than studying them. I soon dabbled
in other subject matter and discovered that I loved drawing that too, and by
eighth grade I knew I wanted to be an artist.
Your artwork is beautiful! I
feel so easily connected with it and also completely intrigued and calmed by
the textures. Can you tell us a little about your process and why you choose to
do paper cuts?
Thank you for the compliment!
Part of the reason I do art is to get away from technology for a while, a
challenging thing to do in today’s world. I don’t hate technology, but I tend
to overdose on it, and that usually makes me unhappy. I try to incorporate
hand-intensive processes into my work that connect me back to tangible material
outside of the ones and zeros. Paper cutting definitely helps me do that. After
a long session of art-making, I’m covered in paper pieces, and my fingers and
wrists ache. That sounds negative, but I love it. I feel connected to something
real.
Concerning the art process, I
usually start an artwork by finding an image or a photograph that I really love
online. I like the idea of taking something that only exists as bits and pixels
and turning it into something physical again. I materialize the image by
creating a transfer of the photo. Sometimes this is done through intaglio, a
printmaking process I learned while in college, or sometimes I use gel medium
and transfer the photo directly to paper. I then try to incorporate some type
of hands-on technique into the artwork, usually in the form of weaving, paper
cutting, or embroidery.
I found your artwork
through the "Uncommon Artists Gallery" on the Uncommon Goods website.
How did that partnership come about and what is it like to work with another
company selling your art prints?
I came upon Uncommon Goods when
I entered their art contest. I figured that I had nothing to lose, so why not?
At this point I had sold the occasional artwork but mostly to friends. I felt
pretty insignificant. I worked as a receptionist and did art in my spare hours
after work. So my expectations of winning the competition were practically
zero. I was happily shocked when I received the call from Uncommon Goods that I
had won. It instantly led to a dozen other opportunities, and between the money
I earned from my prints and selling original artworks, I was able to quit my
day job and do art full time. And that was a dream come true.
Working with Uncommon Goods has
been fantastic. They’re a great company with great employees, and I couldn't be
happier. They've done a lot to promote me and make me feel like I’m an
important part of their business.
I noticed on your website that
you do commissioned art as well. What's your favorite and the story behind it?
My favorite is one of my most
recent artworks titled “And Joy Reigns”. The title comes from my client’s
personal mantra, which, as she described it, “is brave, no victim-hood,
and has nothing to do with rose-colored glasses.” I fell in love with the
optimism and yet reality of the phrase. It resounded with my personal
experiences.
The artwork I made centers
around a woman looking out of a window at a passing storm. I found the piece
very tranquil despite the rain on the window, and I wanted to convey that joy
is most powerful during times of turbulence, anxiety, or suffering. At least
for me, that’s when joy has been most empowering.
Do you ever get
discouraged or lose your creativity? How do you keep yourself going? Any advice
for my readers?
After graduating college, it
was really hard for me to make art. I suddenly didn't have any professors or
deadlines, and I realized that no one in the world was there to keep me
accountable except for myself. And that was hard. In response I started a
project with a couple of other artist friends in which we made a new artwork
every two days until we reached 30 artworks. Every two days! It was challenging
at first to find the time, especially when I was working as a receptionist, but
I developed the habit of constantly making art. The wonderful part is that it
was so fulfilling. It was hard to get hung up on one piece when I knew I’d be
making another one so soon.
I've discussed this quote
before, but it gives me tons of encouragement. Andy Warhol said, “Don’t think
about making art. Just get it done. Let everyone else decide if it’s good or
bad, whether they love it or hate it. While they are deciding, make even more
art.” Whether you’re in the mood to be creative or you’d rather do anything
else in the world than make something, you have to keep making art, music, stories,
or whatever it is that you’re passionate about. That’s what I learned from my
30 art challenge. Even when I didn't have the desire to, I learned that I could
still create something. Some of my favorite pieces were made during really
lazy, unmotivated moods. So my advice would be to not get hung up on the
outcome of your creative process and instead just start. Sometimes you’ll make
something great and other times you’ll make something terrible, but just keep
going and creating. I promise you’ll be glad you did.
What do you hope someone who
sees your artwork will feel or see?
Yikes, that’s a hard question.
Sometimes I’m so focused on the creative process that I don’t always focus on
the outcome. I guess I’m more a journey-not-destination kind of girl. I’ll try
to answer your question though.
I definitely want my work to be
uplifting. There is so much ugliness in the world, and while that ugliness can
be very real, and I don't want to discount it in any way, I think that beauty
is very real too. I don’t mean beauty in a superficial sense, but the beauty
that comes from something deep within a person or a place. I want to celebrate
the beautiful and remind people of it while avoiding clichés. I don’t think I’m
always successful at it, but it’s definitely one of my goals.
Be sure to visit Elise Wehle's Website, Facebook Page, Twitter & Store including exclusive prints that can only be found at Uncommon Goods (click here!)
This post and the print above are c/o Uncommon Goods. Photos, styling and opinions are all my own.
Be sure to visit Elise Wehle's Website, Facebook Page, Twitter & Store including exclusive prints that can only be found at Uncommon Goods (click here!)
This post and the print above are c/o Uncommon Goods. Photos, styling and opinions are all my own.
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